dieDAS’s 2023 fellows were carefully chosen by a selection committee composed of members of our founding team and esteemed design experts. The committee included:
Glenn Adamson is a curator, writer and historian based in New York. He has previously been Director of the Museum of Arts and Design; Head of Research at the V&A; and Curator at the Chipstone Foundation in Milwaukee. Adamson’s publications include Thinking Through Craft (2007); The Craft Reader (2010); Postmodernism: Style and Subversion (2011, co-edited with Jane Pavitt); The Invention of Craft (2013); Art in the Making (2016, co-authored with Julia Bryan-Wilson; and Fewer Better Things: The Hidden Wisdom of Objects (2018). His newest book is Craft: An American History, published by Bloomsbury, and he is co-host of the online interview series Design in Dialogue.
Miami-based Germane Barnes’ award-winning research and design practice investigates the connection between architecture and identity, examining architecture’s social and political agency through historical research and design speculation, with particular focus on the relationship between the built environment and Black domesticity. In addition to his eponymous practice, Barnes is currently an Assistant Professor and the Director of The Community Housing & Identity Lab (CHIL) at the University of Miami School of Architecture, a testing ground for the physical and theoretical investigations of architecture’s social and political resiliency.
Barnes’ work has been presented and supported by several illustrious institutions and organizations, including The Museum of Modern Art NY, San Francisco MoMA, LACMA, Chicago Architecture Biennial, MAS Context, The Graham Foundation, Miami Design District, Design Miami/, and The National Museum of African American History. He is winner of the 2021 Rome Prize in Architecture, the 2021 Harvard Wheelwright Prize, the 2021 Architectural League Prize, and an inaugural grant from Theaster Gates and Prada’s Dorchester Industries Experimental Design Lab.
Tulga Beyerle (b. 1964, Vienna) has been director of the Museum für Kunst und Gewerbe Hamburg (MK&G) since 1 December 2018. In keeping with the goal of museums of applied and decorative arts everywhere to provide inspiration for the best in design both in the present and future, Beyerle strives to position MK&G as a place of myriad possibilities and a platform for discourse and negotiation at the highest level and yet without excluding any members of society.
The esteemed design expert was director of the Kunstgewerbemuseum Dresden, Schloss Pillnitz, from 2014 to 2018 and concurrently a member of the management board of the Staatliche Kunstsammlungen Dresden, one of Germany’s leading museum networks. Previously she was Co-director of Vienna Design Week, which she co-founded in 2006. She also worked successfully as an independent curator throughout Europe.
Beyerle comes to the field of design based on practical experience: after completing her journeyman’s qualification in carpentry, she studied industrial design in Vienna and taught design history and theory at the University of Applied Arts there for seven years. She is a member of the programme council of the Kulturstiftung der Länder, the Bundeskunsthalle Bonn, the advisory board of mudac, the Museum of Contemporary Design and Applied Arts in Lausanne, the jury of the 16th Design Parade Hyères 2022 and the jury of the Austrian contribution to the 18th International Architecture Exhibition, La Biennale di Venezia 2023, among others.
Olivier Chow is the Founding Director of Foreign Agent, an art gallery based in Lausanne, Switzerland, showcasing and promoting emerging and established contemporary artists and designers from Africa and the Diaspora in a uniquely curated afro-futuristic environment. Foreign Agent takes part in international art fairs such as 1-54 London, New York and Marrakech, AKAA Paris, Unseen Amsterdam, Abu Dhabi Art and PAD.
A Swiss-Chinese citizen of the world, he studied political science in Geneva and holds a PhD from the School of Oriental and African Studies (SOAS), London, on the aesthetics of cruelty. In a previous life, he worked for UNESCO in Paris and for the International Committee of the Red Cross (ICRC) in Kabul, Phnom Penh, Goma, Skopje, Kigali, Tel Aviv, Conakry, Port-au-Prince, Niamey, Pretoria and Geneva where he was the institutional advisor on torture.
He has published for Tate Papers, Sotheby’s, the International Review of the Red Cross, the HEAD (Haute Ecole d’Art et de Design in Geneva) and other peer-reviewed publications.
Olivier Chow is also a passionate art collector and his collection has been featured in Larry’s List and the BMW Art guide to Independent Collectors.
Folakunle Oshun is an artist and curator currently based in Paris. Oshun earned a B.A. in Visual Art with a major in Sculpture from the University of Lagos, Nigeria, in (2007), and an M.A. in Art History in (2012). He was the first recipient of the Curator-in-Residence grant by the Potsdam City Council, Brandenburg, Germany, in (2017). He is the founder and director of the Lagos Biennial, a nonprofit contemporary art platform that privileges adventurous approaches to art-making, presentation, and critical discourse–aspiring to broach complex social and political problems, cultivate new publics, and establish fresh modes of engagement within the city, as well as throughout the country and internationally. Oshun was invited as guest curator at the Pinakothek der Moderne, Munich (2021) where he curated the group exhibition LOOK AT THIS. He was also served an advisor for the Africa Season (2020). His most recent solo exhibition “Museum of Hope” opened in 2021 at the Berliner Dom.
In (2021), Folakunle Oshun was invited as Guest Professor to the Staatliche Hochschule für Gestaltung Karlsruhe to lead the seminar "Spatial Politics and Story Telling." He is currently a Doctoral candidate at the Heritage Laboratory, of Cergy University, École Nationale Supérieure d'Arts de Paris-Cergy, France, where he also lectures.
Sasson Rafailov is a designer and theorist who is currently pursuing a PhD in the Constructed Environment at the University of Virginia. His dissertation research attempts to reposition craft in the context of higher education to inspire students to develop new relationships with the material world and with non-human agents more broadly. He believes that design education is unique in its engagement with materials, and would benefit greatly from the introduction of courses on material agency, ontology, and ethics, all of which could be explored through traditional and contemporary craft practices. Sasson was part of the first group of dieDAS Fellows who inaugurated the program in the summer of 2020, and credits much of his thinking on material ethics to the care and attention he witnessed while living in Saaleck alongside other fellows and artistic director Maurizio Montalti.
Sasson was trained as an architect at Cornell University, where he received his Bachelor of Architecture in 2018. He later pursued graduate study in the history and philosophy of design at Harvard University’s Graduate School of Design, completing his Master of Design Studies in 2021. He is also a craftsperson and sculptor in his own right, designing and building one of a kind pieces of furniture for private clients, and producing sculptures in a variety of materials for display in exhibitions around the world. He plans to complete his PhD dissertation in the spring of 2026 and continue his research in education, as well as his independent craft practice, while teaching in the academy full-time.
A consummate connector with an incredible eye, Berlin-based Tatjana Sprick has been navigating the boundaries between the creative disciplines for years, facilitating exciting collaborations and new ventures along the way. She began her career as a dressmaker for the Haute Couture before going on to become a set designer in the film industry, and has since expanded her focus to include fashion, design, craft, and more. Sprick has helped brands and institutions across the creative spectrum—and the globe—develop meaningful products, relationships, and experiences. She was responsible for initiating the design website L’ArcoBaleno and has advised and collaborated with clients such as the Fashion Council Germany, Yohji Yamamoto, Bikini Berlin, Dr Hauschka, Elitis, The DO School, as well as the multipurpose co-retail space ALHAMBRA BERLIN. As dieDAS's founding Director of Program and Development, she is responsible for overseeing the planning and execution of dieDAS programs, including the fellowship program and walk + talk Symposium, as well as helping the institution to build strong networks of collaborators, mentors, and supporters.
Arne Cornelius Wasmuth is a historical restoration and preservation expert whose career has spanned work in television, radio, and film production. He is also a published author and lecturer on cultural heritage and related topics. Born in Hamburg and raised in Seoul and Lagos , he earned a B.A. from Columbia University, an M.Sc in International Relations from the London School of Economics, and an M.A. in Strategies for European Cultural Heritage and Preservation from the European University Viadrina in Frankfurt an der Oder. In 2017, together with collector and patron Egidio Marzona, Wasmuth conceived dieDAS.